“A strong individualist with glittering fingers … He has a pronounced musical profile which puts him in a class far above the cut and dried exponents of the international school of modern pianists.”
(Excerpt taken from The Great Pianists – from Mozart to the present, by Senior Music Critic Emeritus of the New York Times, Harold C. Schonberg)
Cyprien Katsaris, the French-Cypriot pianist and composer, was born in Marseilles. He first began to play the piano at the age of four, in Cameroon where he spent his childhood. His first teacher was Marie-Gabrielle Louwerse.
A graduate of the Paris Conservatoire where he studied piano with Aline van Barentzen and Monique de la Bruchollerie (piano First Prize, 1969), as well as chamber music with René Leroy and Jean Hubeau (First Prize, 1970), he won the International Young Interpreters Rostrum-UNESCO (Bratislava 1977), the First Prize in the International Cziffra Competition (Versailles 1974) and he was the only western-European prize-winner at the 1972 Queen Elisabeth of Belgium International Competition. He was also awarded the Albert Roussel Foundation Prize (Paris 1970) and the Alex de Vries Foundation Prize (Antwerp 1972).
He gave his first public concert in Paris, at the Théâtre des Champs-Elysées on 8 May 1966, as a “Knight” of the youth competition “The Kingdom of Music”; he performed the Hungarian Fantasy by Franz Liszt,² with the Orchestre Symphonique d’Ile-de-France conducted by René-Pierre Chouteau.
His major international career includes performances with the world’s greatest orchestras, most notably the Berlin Philharmonic, Staatskapelle Dresden, Leipzig Gewandhaus Orchestra, Deutsches Symphonie-Orchester Berlin, SWR Symphony Orchestra, Stuttgart Philharmonic Orchestra, Vienna Chamber Orchestra, ORF Vienna Radio Symphony Orchestra, Cleveland Orchestra, Philadelphia Orchestra, National Symphony Orchestra Washington D. C., Detroit Symphony Orchestra, Montreal Symphony Orchestra, Toronto Symphony Orchestra, Vancouver Symphony Orchestra, City of Birmingham Symphony Orchestra, Royal Concertgebouw Orchestra Amsterdam, Rotterdam Philharmonic Orchestra, Residenz Orchestra Den Haag, Brabant Orchestra, NHK Symphony Orchestra (Tokyo), Japan Philharmonic Orchestra, Korean Chamber Orchestra, Beijing Symphony Orchestra, Shanghai Philharmonic Orchestra, Macao Orchestra, Malaysian Philharmonic Orchestra, Moscow Philharmonic Orchestra, Saint Petersburg Academic Symphony Orchestra, Helsinki Philharmonic Orchestra, Tapiola Sinfonietta, Malmö Symphony Orchestra, Danish Radio Symphony Orchestra, Bucharest George Enescu Philharmonic Orchestra, Athens State Orchestra, Thessaloniki State Symphony Orchestra, Athens Camerata, Cyprus Symphony Orchestra, Milan RAI Symphony Orchestra, Orchestre de la Suisse Romande, Chamber Orchestra of Zurich, Budapest Festival Orchestra, National Orchestras of Bordeaux-Aquitaine, Lille, Montpellier, Strasbourg, Pasdeloup Orchestra, Colonne Orchestra, Oxford Philomusica, Monte-Carlo Philharmonic Orchestra, RTL Symphony Orchestra, Solistes Européens Luxembourg, Chamber Orchestra of Europe, Brazilian Symphony Orchestra, Buenos Aires Philharmonic Orchestra, Auckland Philharmonia … and the Mexico City Philharmonic Orchestra whose inaugural concert’s and subsequent tour he was the featured soloist (1978).
He has collaborated with conductors such as Leonard Bernstein, Mstislav Rostropovich, Sir Neville Marriner, Sir Simon Rattle, Myung Whun Chung, Christoph von Dohnányi, Charles Dutoit, Antal Doráti, Ivan Fischer, Nikolaus Harnoncourt, Kent Nagano, James Conlon, Sir Charles Mackerras, Rudolf Barshai, Sandor Végh, Vladimir Fedoseyev, Jukka-Pekka Saraste, Leif Segerstam, Dmitri Kitajenko, Andrey Boreyko, Christopher Warren–Green, Zdeněk Mácal, Xian Zhang, Paul Mann, Christian Mandeal and Karl Münchinger, who on the festive
occasion of his farewell concert in 1986, with the Stuttgart Chamber Orchestra, personally invited Mr. Katsaris to perform the Haydn D major Concerto.
In addition to his activities as a soloist he founded the “Katsaris Piano Quintet”. This has received a very enthusiastic response from both the press and audiences in the Americas, Europe and Japan.
Mr. Katsaris has recorded extensively for Teldec (Grand Prix du Disque Frédéric Chopin, Warsaw 1985; Grand Prix du Disque Franz Liszt, Budapest 1984 and 1989; British Music Retailers Association’s Award 1986; Record of the Year 1984, Germany, for the 9th Symphony of Beethoven/Liszt), Sony Classical, EMI, Deutsche Grammophon, BMG/RCA, Decca, Pavane, and now on his own label, PIANO 21.
His discography consists of solo works by most of the greatest masters as well as works for piano and orchestra including Bach Concertos with the Franz Liszt Chamber Orchestra, Brahm’s Concerto no. 2 with Eliahu Inbal conducting the Philharmonia (London), both Concertos of Mendelssohn with Kurt Masur and the Leipzig Gewandhaus Orchestra (of which Mendelssohn had been music Director), and the complete Concertos by Mozart, recorded live and performed in Salzburg and Vienna with Yoon K. Lee and the Salzburger Kammerphilharmonie.
In addition to the standard repertory, Cyprien Katsaris has recorded, as world premières, long lost works such as the Liszt/Tchaikovsky Concerto in the Hungarian style with Eugene Ormandy and the Philadelphia Orchestra, Beethoven’s own piano arrangement of his ballet The Creatures of Prometheus and Gustav Mahler’s original piano version of Das Lied von der Erde with Mezzo Brigitte Fassbaender and Tenor Thomas Moser.
In 1992, the Japanese NHK TV produced with Cyprien Katsaris a thirteen-program series on Frédéric Chopin which included masterclasses and his own performance. On 17 October 1999, the New York concertgoers offered him a standing ovation in Carnegie Hall for his recital dedicated to Frédéric Chopin, performed on the day of his 150th death Anniversary. This concert was recorded (audio and video) and has been issued on the PIANO 21 label.
On 27 January 2006, the day of the 250th Anniversary of Mozart’s birth, he was the soloist at the inaugural concert of the Mozart Orchestra Mannheim founded and conducted by Thomas Fey. In March 2006 Cyprien Katsaris was the first pianist ever to give masterclasses in Franz Liszt’s house in Weimar since Liszt, who taught there for the very last time in 1886, the year of his death. In August 2008, he was invited to give two concerts on the occasion of the Beijing Olympic Games at the National Center for the Performing Arts. In addition to the world premier of a concerto for ten pianos and orchestra – China Jubilee – by the composer Cui Shiguang, he improvised on an ancient Greek melody, and on, inter alia, Chinese melodies, in tribute to the universality of the Olympic Games. On 10 July 2014 Cyprien Katsaris performed in the first concert at the Fondation Louis Vuitton in Paris.
Cyprien’s collaboration with Mikis Theodorakis begins in 1978 with a concert in Paris and then in 1980 for the recording of a cd with the Luxembourg Radio Television Orchestra. In 2017 Katsaris recorded and released with “Piano 21” his piano composition “Grand Fantasy on Zorba”. based on the work of Theodorakis.
In December 2018, Cyprien Katsaris, at the will of the President of China, participated in the official closing ceremony of the China International Film Festival where internationally renowned movie stars such as Juliette Binoche, Johnny Deep, Isabelle Huppert and others were invited.
Two famous film directors, Claude Chabrol and Oscar-winner François Reichenbach, have made films of Mr. Katsaris in live concert performances.
Cyprien Katsaris is mentioned in the following works: Harold C. Schonberg, The Great Pianists: From Mozart to the Present; The New Grove Dictionary of Music and Musicians; Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik (MGG); Baker’s Biographical Dictionary of Musicians; Harenberg Klaviermusikführer: 600 Werke von Barock bis zur Gegenwart; David Dubal, The Art of the Piano: Its Performers, Literature and Recordings; Catherine Lechner-Reydellet, La Grande École française du piano.
Mr. Katsaris has been a member of the jury of the following International Competitions: Chopin (Warsaw 1990), Liszt (Utrecht 1996), Vendôme Prize (Paris 2000), Marguerite Long-Jacques Thibaud – Ville de Paris (2001), Beethoven (Bonn 2005), Giorgos Thymis (Thessaloniki) and Scriabin (Moscow 2012).
He has also conducted masterclasses at the Mannes College of Music, in New York City, the University of Toronto, the Salzburg Mozarteum, the Arts Academy in Mexico, The Academy of Performing Arts in Hong-Kong, the Royal Conservatory of The Hague and the Shanghai Conservatory of Music. In addition he was appointed Artistic Director of the Echternach International Festival (Luxembourg) from 1977 to 2007.
In 2023 he received the coveted FRANZ LISZT Honorary Award from the new Franz Liszt Foundation together with the Weimar Classic Foundation. The Laudatio was given by Nike Wagner, great-great granddaughter of Franz Liszt and great granddaughter of Richard Wagner.
Mr. Katsaris’ work has been honoured and recognized by the following awards: “Artist of UNESCO for Peace” (1997), “Commandeur de l’Ordre de Mérite du Grand-Duché de Luxembourg” (2009) and “Knight of the Order of Arts and Letters” (France 2000). He also received the “Médaille Vermeil de la Ville de Paris” (2001) and the “Nemitsas Prize” (Cyprus, 2011), the “150 Great Cypriots” prize, Fileleftheros newspaper, Cyprus (2015) and the Cyprus Ministry of Culture “Excellence in Letters, Arts and Sciences Award” by the President of the Republic of Cyprus, Mr. Nicos Anastasiades, Cyprus (2016).
He is a member of ADAP, the Association of Artists for Peace and Honorary President of “Lisztomanias International”.
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“I was lucky enough to hear Cyprien Katsaris in his dazzling interpretation of Rachmaninov’s Third Concerto and also in his magnificent performance of the last piece of my Vingt Regards. His steel technique, his ardour spirit and his authority, and lastly his brilliance, make Cyprien Katsaris a marvellous pianist, and I have the fullest confidence in his future.”
Olivier Messiaen
“I am convinced that Cyprien Katsaris represents the greatest artistic value of his generation.”
György Cziffra
“He is a major pianist and, even better, a major artist. And he has a true feeling for the romantic style.”
Harold C. Schonberg